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設(shè)色紙本·紙本 立軸
1989、1985年作
識(shí)文：楊柳參天為趨光。巖石盤聚結(jié)花崗，松山拔地多沙礫，強(qiáng)項(xiàng)實(shí)心秉性剛。
款識(shí)：1.楊凝同志惠存。己巳秋，馬得。鈐印：馬得（白）
2.楊凝同志指正。一九八五年冬季擬句并篆書于京華，李超。鈐印：李超（朱） 篆書（白）
GAO MADE (1919-2007) AND LI CHAO OPERA CHARACTERS·CALLIGRAPHY
Ink and color on paper·Ink on paper, hanging scroll
Dated 1989 and 1985
43×33.5cm（畫心） 97.5×23.5cm（書法）
RMB: 10,000-20,000
高馬得 1919年生于江蘇南京。曾任《大公報(bào)》漫畫專欄主編、江蘇《新華日?qǐng)?bào)》編輯、江蘇美術(shù)家協(xié)會(huì)理事、中國美術(shù)家協(xié)會(huì)會(huì)員、國家一級(jí)美術(shù)師。1957年開始鉆研戲曲速寫，繼之發(fā)展創(chuàng)作水墨戲曲人物。曾獲“漫畫金猴獎(jiǎng)”。代表作有《三打白骨精》《三借芭蕉扇》《牛郎織女》。
Gao Made was born in Nanjing, Jiangsu in 1919. Early experience as editor in newspapers like Ta Kung Pao, Xinhua Daily greatly facilitated his further exploration of sketch painting. Besides, he was also Director of Jiangsu Artists Association, a member of China Artists Association and State First-Class Painter.His works including Monkey Defeating Lady White Bone Three Times, Borrowing Plantain Fan Three Times, The Cowherd and the Weaving Maid bring him a number of awards.